{"id":99,"date":"2023-11-04T13:50:08","date_gmt":"2023-11-04T13:50:08","guid":{"rendered":"https:\/\/asp2024.usal.es\/?page_id=99"},"modified":"2024-11-01T23:05:37","modified_gmt":"2024-11-01T23:05:37","slug":"programa","status":"publish","type":"page","link":"https:\/\/asp2024.usal.es\/en\/programa\/","title":{"rendered":"PROGRAM"},"content":{"rendered":"PROGRAM<\/strong><\/span><\/a> ESP
\nPROGRAM<\/strong><\/span><\/a> ENG
\nPROGRAM<\/strong><\/span><\/a> FRA<\/p>\n

WEDNESDAY\u00a0 6\u00a0 NOVEMBER\u00a0 2024<\/u><\/strong><\/span><\/p>\n

08:30h. Registration<\/span>
\n09:00h. Welcome and opening ceremony<\/span><\/p>\n

SESSION I: Palaeolithic Art<\/em><\/strong><\/span><\/p>\n

09:30h. 1st<\/sup> Session I<\/span><\/p>\n

–Chair<\/strong><\/em>: Georges Sauvet<\/em><\/strong><\/span><\/p>\n

Invited lecture<\/strong>: Jacques Jaubert, Val\u00e9rie Feruglio & Camille Bourdier
\n<\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Pour une normalisation des d\u00e9comptes de l’art pari\u00e9tal: propositions \u00e0 partir de l’exemple de la grotte de Cussac<\/em><\/span><\/p>\n

10:20h. Presentations Session I<\/span>
\n10:20h. Daniela Eugenia Rosso, Sonia Murcia-Mascar\u00f3s, Clodoaldo Rold\u00e1n Garc\u00eda & Valent\u00edn <\/strong>Villaverde<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0El procesado y uso de los colorantes en la Cova del Parpall\u00f3, Gand\u00eda, Espa\u00f1a<\/em><\/span>
\n10:30h. Ana Blanco-G\u00f3mez & Olivia Rivero<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Del mineral a la pintura: la materia colorante en el Paleol\u00edtico Superior desde un enfoque experimental<\/em><\/span>
\n10:40h. Erik Bautista Madrid, Olivia Rivero & Miguel Garc\u00eda-Bustos<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Las manchas e impregnaciones de color rojo en las cavidades con arte paleol\u00edtico: una propuesta tipol\u00f3gica para la cueva del Pindal<\/em><\/span>
\n10:50h. Tania Mosquera-Castro, Ram\u00f3n F\u00e1bregas-Valcarce, Andr\u00e9 T. Santos, Xos\u00e9 Pedro <\/strong>Rodr\u00edguez-\u00c1lvarez & Arturo de Lombera-Hermida<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Al fondo de la cueva: pinturas rojas en Cova Eir\u00f3s (Triacastela, Lugo, Galicia)<\/em><\/span><\/p>\n

11:00h. Coffee break (Caf\u00e9 Atelier<\/em>)<\/span><\/p>\n

11:30h. Rosa Rivas Santiago, Marcos Garc\u00eda-Diez, Jes\u00fas F. Jord\u00e1 Pardo & J. Carlos D\u00edez Fern\u00e1ndez-Lomana<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Placa grabada paleol\u00edtica de Enebrales (Tamaj\u00f3n, Guadalajara)<\/em><\/span>
\n11:40h. Alberto Mart\u00ednez-Villa, Jes\u00fas F. Jord\u00e1 Pardo, Carlos D\u00edez Fern\u00e9ndez-Lomana, Alfredo Maximiano Castillejo, Juana Molina Salido & Esteban \u00c1lvarez-Fern\u00e1ndez<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Arte mueble magdaleniense en la cueva de El Cierro (Fresnu, Ribadesella, Asturias, Espa\u00f1a): una nueva pieza recuperada en la Sala de la Natividad<\/em><\/span>
\n11:50h. Xabier Eguilleor Carmona & Olivia Rivero<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0An\u00e1lisis t\u00e9cnico y formal de las decoraciones en las puntas dentadas magdalenienses de la regi\u00f3n cant\u00e1brica<\/em><\/span>
\n12:00h. Miguel Garc\u00eda-Bustos<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sobre hueso, piedra y asta: la asociaci\u00f3n figurativa en el arte mueble magdaleniense a trav\u00e9s del An\u00e1lisis Exploratorio de Datos y la Estad\u00edstica Multivariante<\/em><\/span>
\n12:10h. Alberto Mart\u00ednez-Villa, Dolores Pesquero Fern\u00e1ndez & Marelia Gil Fern\u00e1ndez<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Reaparici\u00f3n y estudio de una plaqueta decorada magdaleniense de la cueva de La Paloma (Sotu, Les Regueres, Asturies, Espa\u00f1a)<\/em>
\n<\/em>12:20h. Tania Mosquera-Castro, Andr\u00e9 T. Santos, Ignacio Triguero, Marcelo Silvestre, Ant\u00f3nio Fernando Barbosa, Lu\u00eds Lu\u00eds & Thierry Aubry<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Una nueva plaqueta decorada en el valle del C\u00f4a (Vila Nova de Foz C\u00f4a, Portugal)<\/em><\/span>
\n12:30h. Antonio J. Torres Riesgo, Antonio Ruiz Trujillo, Eva Rodr\u00edguez Castro, Ana Mar\u00eda Gomar Barea, I\u00f1aki Intxaurbe Alberdi, Olga Spaey, Ver\u00f3nica Fern\u00e1ndez Navarro, Agust\u00edn F. Ram\u00edrez Ort\u00edz, Martin Arriolabengoa Zubizarreta, Jos\u00e9 Luis Sanchidri\u00e1n Torti, Neem\u00edas Santos da Rosa, M\u00aa \u00c1ngeles Medina Alcaide, Antonio L\u00f3pez Rodr\u00edguez\u00a0 & Diego Garate Maidagan<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0La Montera del Torero: un nuevo sitio de arte rupestre en Andaluc\u00eda (Los Barrios, C\u00e1diz)<\/em><\/span>
\n12:40h. Mar\u00eda D. Sim\u00f3n Vallejo, Rub\u00e9n Parrilla Gir\u00e1ldez, Sara Mac\u00edas Tejada, Carlos Odriozola Lloret, Juan Mayoral Valsera & Miguel Cort\u00e9s S\u00e1nchez:<\/strong><\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 La Pileta (Benaoj\u00e1n, M\u00e1laga). Una aproximaci\u00f3n interdisciplinar al conocimiento del arte paleol\u00edtico del sur de Iberia<\/em><\/span>
\n12:50h. Dionysios Danelatos, Telmo Pereira, Sara Garc\u00eas, Hip\u00f3lito Collado Giraldo, George Nash, Opeyemi Adewumi, Hugo Gomes Patr\u00edcia Monteiro & Luiz Oosterbeek<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0New Palaeolithic evidence from the Ocreza Valley<\/em><\/span>
\n13:00h. 1st<\/sup> Debate Session I<\/span><\/p>\n

13:20h. Lunch break<\/span><\/p>\n

15:40h. 2nd<\/sup> Session I<\/span>
\n
\n-Chair<\/em><\/strong>: Carole Fritz
\n<\/em><\/strong>
\n<\/em><\/strong>Invited lecture:<\/strong>\u00a0Aitor Ruiz-Redondo
\n<\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Ciervas trilineales y pinturas de arcilla: Cova Dones en el contexto del Paleol\u00edtico mediterr\u00e1neo<\/em><\/span><\/p>\n

16:30h. Presentations Session I<\/span>
\n16:30h. Malena Daniel, Xabier Gar\u00edn, Virginia Barciela, Ximo Martorell & Aitor Ruiz-Redondo<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Estudio de las t\u00e9cnicas de extracci\u00f3n de arcilla para la realizaci\u00f3n de pinturas parietales en Cova Dones (Valencia)<\/em><\/span>
\n16:40h. Xabier Gar\u00edn, Malena Daniel, Virginia Barciela, Ximo Martorell & Aitor Ruiz-Redondo<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0La arcilla como pigmento en el arte paleol\u00edtico: reflexiones desde Cova Dones (Valencia)<\/em><\/span>
\n16:50h. Ana Cant\u00f3 & Valent\u00edn Villaverde<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Arte parietal de la Cova de les Meravelles (Gand\u00eda, Valencia): revisi\u00f3n y nuevos motivos<\/em><\/span>
\n17:00h. Valent\u00edn Villaverde & Ana Cant\u00f3<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Arte magdaleniense en la regi\u00f3n mediterr\u00e1nea ib\u00e9rica. Valoracion e implicaciones<\/em><\/span>
\n17:10h. Luc\u00eda M. D\u00edaz-Gonz\u00e1lez & Diego Garate Maidagan<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 El arte de revivir el arte. Sistematizando la apropiaci\u00f3n gr\u00e1fica paleol\u00edtica a trav\u00e9s del panel de las manos de la cueva de El Castillo (Cantabria, Espa\u00f1a)<\/em><\/span><\/p>\n

17:20h. Coffe break (Caf\u00e9 Atelier<\/em>)<\/span><\/p>\n

17:50h. Miriam San Mat\u00edas Vicente & Olivia Rivero<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 La reutilizaci\u00f3n de las cavidades en la pen\u00ednsula ib\u00e9rica desde la \u00e9poca prehist\u00f3rica hasta la actualidad: el estudio de caso de la cueva de La Griega
\n<\/em>18:00h. Andr\u00e9 T. Santos<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Approaching an Upper Palaeolithic ontology by means of the spatial distribution of its rock art<\/em><\/span>
\n18:10h. Ingmar M. Braun<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0A zoological view on figures of mammals in Upper Palaeolithic art<\/em><\/span>
\n18:20h. Eric Robert, Marie-Anne Julien, Stephane Petrognani & Cr\u00e9pin Laurent<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Animaux represent\u00e9s vs animaux chass\u00e9s, une reelle dichotomie? Relations entre art et faune dans le Magdal\u00e9nien moyen\/sup\u00e9rieur de la vallee de la V\u00e9z\u00e8re<\/em><\/span>
\n18:30h. Laurie P\u00e9lissier, Eric Robert, Gildas Merceron & Marie-Anne Julien<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Des carnviores et des hommes au Magdal\u00e9nien dans le centre-ouest de la France<\/em><\/span>
\n18:40h. Tsai Chi-Shan<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0La fid\u00e9lit\u00e9 des repr\u00e9sentations des f\u00e9lins au Pal\u00e9olithique sup\u00e9rieur<\/em><\/span>
\n18:50h. Marieluise Hahn<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Identification of male sex characteristics in the Paleolithic<\/em><\/span>
\n19:00h. Ignacio Triguero, Manuel Alcaraz-Casta\u00f1o, Luis Luque & Jos\u00e9 Javier Alcolea-Gonz\u00e1lez<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Estructuraci\u00f3n de los signos en el dispositivo premagdaleniense de la cueva de Los Casares (Guadalajara): implicaciones cronoculturales<\/em><\/span>
\n19:10h. M\u00edriam Salas-Alt\u00e8s, Josep Maria Verg\u00e8s & Marcos Garc\u00eda-Diez<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0La Cova de la Font Major (Espluga de Francol\u00ed, noreste peninsular): signos paleol\u00edticos y convergencias gr\u00e1ficas
\n<\/em>19:20h. 2nd<\/sup> Debate Session I<\/span><\/p>\n

 <\/p>\n

THURSDAY\u00a0 7\u00a0 NOVEMBER\u00a0 2024<\/u><\/strong><\/span><\/p>\n

SESSION II: Post-Palaeolithic Art<\/em><\/strong><\/span><\/p>\n

09:30h. 1st<\/sup> Session II<\/span><\/p>\n

–Chair<\/strong>: Primitiva Bueno<\/strong><\/em><\/span><\/p>\n

Invited lecture<\/strong>: Juan Francisco Ruiz-L\u00f3pez<\/strong><\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Arte levantino. An\u00e1lisis de la esfera social prehist\u00f3rica a trav\u00e9s del arte rupestre<\/em><\/span><\/p>\n

10:20h. Presentations Session II<\/span>
\n10:20h. Paula Hernaiz Prieto, Juan F. Ruiz L\u00f3pez & Diego Garate Maidagan<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 A trav\u00e9s de la pintura: caracterizaci\u00f3n hiperespectral del arte levantino. El caso de la Sierra de las Cuerdas Cuenca) y Albarrac\u00edn (Teruel)<\/em><\/span>
\n10:30h. Hannah Gardiner, Devlin Gandy & David Robinson<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0An analysis of anthropomorphs from Pleito Cave<\/em><\/span>
\n10:40h. Andrea Arc\u00e0, Angelo Eugenio Fossati & Francesco Rubat Borel<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Schematic rock paintings in the western Alps: overview, chronological perspectives and kinship with the \u201carte esquem\u00e1tico ib\u00e9rico\u201d
\n<\/em>10:50h. Xabier Eguilleor-Carmona, Olivia Rivero, Miguel Garc\u00eda-Bustos, Beatriz Comendador Rey, Ana Mar\u00eda Mateo-Pellitero & Juli\u00e1n B\u00e9cares<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0El abrigo del Mar\u00edn (La Salud, Salamanca): un nuevo yacimiento de arte esquem\u00e1tico<\/em><\/span><\/p>\n

11:00h. Coffee break (Caf\u00e9 Atelier<\/em>)<\/span><\/p>\n

11:30h. Beatriz Comendador Rey & Emilio Abad Vidal<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Por sierras, berrocales y cordeles. Enclaves con pintura rupestre esquem\u00e1tica entre las provincias de Salamanca y C\u00e1ceres<\/em><\/span>
\n11:40h. Emilio Abad Vidal, Marta Pantrigo Bar\u00e9s, Alfonso Hern\u00e1ndez Mor\u00e1n<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0IbeRA: un ensayo de creaci\u00f3n de un modelo de datos interoperable sobre arte rupestre: el caso de Las Batuecas como ejemplo<\/em><\/span>
\n11:50h. Mar\u00eda Pilar Zapatero Magdaleno, Elisa Guerra Doce, Miguel \u00c1ngel Candil Delgado, Beatriz Comendador Rey, Lara Bacelar Alves & M\u00e1rio Reis<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0El covacho de Candil (Navalmoral, \u00c1vila): arte rupestre esquem\u00e1tico y ocupaci\u00f3n prehist\u00f3rica en el valle del Alberche, sierra de Gredos
\n<\/em>12:00h. Jos\u00e9 Carlos Sastre Blanco, Patricia Fuentes Melgar, Jos\u00e9 Enrique Lobato Colino & Raquel Portilla Casado<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0El arte rupestre esquem\u00e1tico en el valle medio del Esla
\n<\/em>12:10h. Paz Ram\u00edrez-Valiente<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Arte rupestre postpaleol\u00edtico en los Montes de Toledo: Documentaci\u00f3n de nuevos hallazgos de grabados y pinturas rupestres<\/em><\/span>
\n12:20h. 1st<\/sup> Debate Session II<\/span><\/p>\n

12:40h. Lunch break<\/span><\/p>\n

15:40h. 2nd<\/sup> Session II<\/span><\/p>\n

–Chair<\/em><\/strong>: Beatriz Comendador<\/strong><\/em><\/span><\/p>\n

Invited lecture:<\/strong>\u00a0Virginia Barciela<\/strong><\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Pr\u00e1cticas sociales y simb\u00f3licas en el Neol\u00edtico antiguo de las comarcas centromeridionales valencianas. El arte macroesquem\u00e1tico y esquem\u00e1tico a la luz de su iconograf\u00eda y contexto arqueol\u00f3gico<\/em><\/span><\/p>\n

16:30h. Presentations Session II<\/span>
\n16:30h. Diego Herrero-Alonso, Beatriz Comendador Rey, Luc\u00eda Rodr\u00edguez-\u00c1lvarez, Eduardo Gonz\u00e1lez, Andrea Mouri\u00f1o, Cristina L\u00f3pez-Tasc\u00f3n, Sergio Heras-Bastida, Antonio Tarri\u00f1o, <\/strong>Carlos Fern\u00e1ndez-Rodr\u00edguez, Natividad Fuertes & Ana Neira<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Las ocupaciones prehist\u00f3ricas de Pe\u00f1a Pi\u00f1era (S\u00e9samo, Vega de Espinareda, Le\u00f3n)<\/em><\/span>
\n16:40h. Lara Bacelar Alves & M\u00e1rio Reis<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Arte esquem\u00e1tico en el valle del C\u00f4a: el valor de la diversidad<\/em><\/span>
\n16:50h. Jo\u00e3o Muralha Cardoso, M\u00e1rio Reis, B\u00e1rbara Carvalho, Teresa Silva & Lara Bacelar Alves<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The archaeological contexts of schematic art in lapas cabreiras. The Landcraft project<\/em><\/span>
\n17:00h. Eleonor Cadete<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Contributions to the study of the proto-historic rock art of the C\u00f4a Valley: the case of Ribeira da Volta
\n<\/em>17:10h. Alejandra S\u00e1nchez Polo, Jos\u00e9 Manuel Compa\u00f1a Prieto, Juan Jes\u00fas Padilla Fern\u00e1ndez & Mercedes Su\u00e1rez Barrios<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Las pinturas murales de la casa 1 del Cerro de San Vicente (Salamanca, Espa\u00f1a): estudios arqueom\u00e9tricos y contextualizaci\u00f3n arqueol\u00f3gica de pigmentos del Hierro I<\/em><\/span>
\n17:20h. 2nd<\/sup> Debate Session II<\/span><\/p>\n

17:40h. Visit to the Historic Building of the University of Salamanca<\/span><\/p>\n

 <\/p>\n

FRIDAY\u00a0 8\u00a0 NOVEMBER\u00a0 2023<\/u><\/strong><\/span><\/p>\n

\u00a0<\/strong>SESSION III: Methodological Approaches, Conservation and Dissemination of Prehistoric Art<\/em><\/strong><\/span><\/p>\n

09:30h. 1st<\/sup> Session III:<\/span><\/p>\n

–Chair<\/strong>: Harald Floss<\/strong><\/em><\/span><\/p>\n

Invited lecture<\/strong>: Diego Garate<\/strong><\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0El futuro del pasado: las nuevas tecnolog\u00edas al servicio de la investigaci\u00f3n, la gesti\u00f3n, la conservaci\u00f3n y la difusi\u00f3n del arte prehist\u00f3rico<\/em><\/span><\/p>\n

10:20h. Presentations Session III<\/span>
\n10:20h. Mar\u00eda Soledad Beato, Alicia Alvarez-Martinez, Javier Eseverri, Mar Suarez, Juan Sebasti\u00e1n Gonz\u00e1lez-Rodr\u00edguez & Oliva Rivero<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Nuevas perspectivas del arte paleol\u00edtico: cognici\u00f3n y experiencia art\u00edstica<\/em><\/span>
\n10:30h. Olivia Rivero, Miguel Garc\u00eda-Bustos, Ana Mar\u00eda Mateo-Pellitero & Xabier Eguilleor Carmona<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 An\u00e1lisis de la biomec\u00e1nica y la producci\u00f3n art\u00edstica experimental entre artistas expertos e inexpertos: una propuesta de evaluaci\u00f3n cr\u00edtica<\/em><\/span>
\n10:40h. Agust\u00edn Fco. Ram\u00edrez Ortiz & Diego Garate Maidagan<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0La gesti\u00f3n de los datos en la era digital: un nuevo reto para la documentaci\u00f3n F.A.I.R. en los estudios de arte rupestre<\/em><\/span>
\n10:50h. David V\u00e9laz Ciaurriz<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0La cueva de El Castillo (Puente Viesgo, Cantabria): un estudio de los afectos que afloran entre sus visitantes<\/em><\/span><\/p>\n

11:00h. Coffee break (Caf\u00e9 Atelier<\/em>)<\/span><\/p>\n

11:30h. \u00a0Patricia Garc\u00eda-Encabo, Pilar Fat\u00e1s & Diego Garate<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Cuantificando la producci\u00f3n gr\u00e1fica durante el Paleol\u00edtico: materiales, tecnolog\u00eda y artistas en el Techo de Pol\u00edcromos de la cueva de Altamira (Santillana del Mar, Cantabria)<\/em>
\n<\/em>11:40h. I\u00f1aki Intxaurbe, Diego Garate & Martin Arriolabengoa<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Patrones de organizaci\u00f3n espacial relacionados con el arte rupestre magdaleniense en el centro del Golfo de Vizcaya
\n<\/em>11:50h. Olga Spaey, Aritz Irurtzun & Diego Garate<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Distribution spatiale des mains n\u00e9gatives au Pal\u00e9olithique Sup\u00e9rieur: syst\u00e8mes d\u2019analyse interne g\u00e9omatiques appliqu\u00e9s aux grottes de El Castillo (Cantabrie) et Fuente del Trucho (Huesca)
\n<\/em>12:00h. David Robinson, Nathan Jones & Adam Appleton<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Further thoughts on rock art as immersive repositories of knowledge<\/em><\/span>
\n12:10h. Lisa Veysset, Priscilia Barbuti, Emma Cabrera-Huilca, Eric Robert, M\u00e9dard Thiry & Boris Valentin<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Exploiting virtual 3D models for rock art study: the case of \u00a9Blender at La Saboterie 1 in Buno-Bonnevaux (Essonne, France)<\/em><\/span>
\n12:20h. Camilo Barcia-Garc\u00eda, Alfredo Maximiano Castillejo, Jes\u00fas F. Jord\u00e1 Pardo & Mart\u00ed Mas Cornell\u00e0<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Documentando el arte rupestre del Estrecho de Gibraltar: la cueva del Moro (Tarifa, Espa\u00f1a)<\/em><\/span>
\n12:30h. Olga Borbolla T\u00e1rano & \u00d3scar Guti\u00e9rrez Franco<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Socializar e investigar lo inaccesible: proyecto de realidad virtual en las cuevas de la Fuente del Sal\u00edn y El Rejo, en Val de San Vicente (Cantabria)<\/em><\/span>
\n12:40h. Olivia Rivero, Miguel Garc\u00eda-Bustos, Xabier Eguilleor-Carmona, Ana Mar\u00eda Mateo-Pellitero<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Ver para creer: el proyecto LiDARt de Realidad Aumentada sobre arte rupestre paleol\u00edtico<\/em><\/span>
\n12:50h. 1st<\/sup> Debate Session III<\/span><\/p>\n

13:20h. Lunch break<\/span><\/p>\n

15:40h. 2nd<\/sup> Session III<\/span>
\n
\n-Chair<\/strong><\/em>: Andr\u00e9 Tom\u00e1s Santos<\/em><\/strong><\/span><\/p>\n

invInvited lecture<\/strong>: Neemias Santos da Rosa
\n<\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0On the taphonomy of rock art: using accelerated ageing experiments to model the impact of marine aerosol and wind erosion on prehistoric paintings
\n<\/em><\/span>
\n16:30h. Presentations Session III<\/span>
\n16:30h. Sergio Salazar, Diego Garate, Martin Arriolabengoa, I\u00f1aki Intxaurbe, Antonio Torres & Josu Gonz\u00e1lez<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Monitorizaci\u00f3n del estado de conservaci\u00f3n de las cuevas con arte paleol\u00edtico: una propuesta pluridisciplinar<\/em><\/span>
\n16:40h. Camila Isidora Mu\u00f1oz Soto<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0El an\u00e1lisis de redes sociales como una herramienta para el estudio de la comunicaci\u00f3n entre grupos. Un ejemplo desde el arte rupestre del fin del mundo<\/em><\/span>
\n16:50h. Eva Rodr\u00edguez Castro, Jos\u00e9 Luis Sanchidri\u00e1n Torti, Lloyd A. Courtenay & M\u00aa \u00c1ngeles Medina Alcaide<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0M\u00e1s all\u00e1 de lo figurativo en el arte rupestre paleol\u00edtico: una propuesta metodol\u00f3gica para el re-estudio de los signos en el sur de la pen\u00ednsula ib\u00e9rica
\n<\/em>17:00h. Olivia Rivero, Xabier Eguilleor-Carmona, Miguel Garc\u00eda-Bustos & Ana Mar\u00eda Mateo-Pellitero<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 La identificaci\u00f3n del \u00fatil y la mano del artista en el arte paleol\u00edtico: an\u00e1lisis traceol\u00f3gico en la cueva de Hornos de la Pe\u00f1a (San Felices de Buelna, Cantabria)<\/em><\/span>
\n17:10h. Ver\u00f3nica Fern\u00e1ndez Navarro, Dario Fidalgo Casares, Daniel Garc\u00eda Mart\u00ednez & Diego Garate<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Morfometr\u00eda geom\u00e9trica aplicada al estudio del arte parietal paleol\u00edtico: determinando la edad y el sexo biol\u00f3gico de las representaciones de manos<\/em><\/span>
\n17:20h. Miguel Garc\u00eda-Bustos<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 El convencionalismo \u201cpico de pato\u201d a la luz del An\u00e1lisis El\u00edptico de Fourier y la estad\u00edstica multivariante
\n<\/em>17:30h. Maxime Ballouard, Elena Paillet & Patrick Paillet<\/strong>:<\/span>
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0A classification of La Madeleine (Tursac, France) horses using machine learning algorithm<\/em><\/span>
\n17:40h. 2nd<\/sup> Debate Session III<\/span><\/p>\n

18:00h. Closing ceremony of the VIII ASP Conference<\/span><\/p>\n

SATURDAY\u00a0 9\u00a0 NOVEMBER\u00a0 2024<\/u><\/strong><\/span><\/p>\n

08:30h. Departure from Salamanca<\/span>
\n10:00h. Visit to Las Batuecas<\/span>
\n14:00h. Lunch break1<\/span>
\n17:00h. Visit to Siega Verde<\/span>
\n19:30h. Snack-Dinner2<\/span>
\n21:30h. Arrival (approximate) to Salamanca<\/span><\/p>\n

1<\/sup> Courtesy of La Alberca Town Council<\/span>
\n2<\/sup> Courtesy of the Siega Verde Foundation<\/span><\/p>\n

SUNDAY\u00a0 10\u00a0 NOVEMBER\u00a0 2024<\/u><\/strong><\/span><\/p>\n

08:00h. Departure from Salamanca<\/span>
\n10:00h.3<\/sup> Visit to Fariseu<\/span>
\n14:00h.3<\/sup> Lunch break<\/span>
\n16:30h.3<\/sup> Visit to the Museu do C\u00f4a<\/span>
\n20:30h. Arrival (approximate) to Salamanca<\/span><\/p>\n

3<\/sup>Portuguese time<\/span>","protected":false},"excerpt":{"rendered":"

PROGRAM ESP PROGRAM ENG PROGRAM FRA WEDNESDAY\u00a0 6\u00a0 NOVEMBER\u00a0 2024 08:30h. Registration 09:00h. Welcome and opening ceremony SESSION I: Palaeolithic Art 09:30h. 1st Session I –Chair: Georges Sauvet Invited lecture: Jacques Jaubert, Val\u00e9rie Feruglio & Camille Bourdier \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Leer más<\/a><\/p>\n","protected":false},"author":163,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-99","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/asp2024.usal.es\/en\/wp-json\/wp\/v2\/pages\/99","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/asp2024.usal.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/asp2024.usal.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/asp2024.usal.es\/en\/wp-json\/wp\/v2\/users\/163"}],"replies":[{"embeddable":true,"href":"https:\/\/asp2024.usal.es\/en\/wp-json\/wp\/v2\/comments?post=99"}],"version-history":[{"count":104,"href":"https:\/\/asp2024.usal.es\/en\/wp-json\/wp\/v2\/pages\/99\/revisions"}],"predecessor-version":[{"id":629,"href":"https:\/\/asp2024.usal.es\/en\/wp-json\/wp\/v2\/pages\/99\/revisions\/629"}],"wp:attachment":[{"href":"https:\/\/asp2024.usal.es\/en\/wp-json\/wp\/v2\/media?parent=99"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}